Moonlight: Behind the Making of the Oscar-Nominated Movie
Moonlight": DP James Laxton creates poetic look on ALEXA
Moonlight anamorphic - YouTube
Ravenna Tran on Twitter: "Moonlight was shot on ARRI Alexa XT in Pro Res 444 using Vantage Hawk Scope and Kowa anamorphic lenses. "The story is very intimate but we wanted to
Affordable Anamorphic Lens With Test Footage | Vazen and Blackmagic | Moonlight Social Gear Talk - YouTube
London Film Academy
Portraits Of Moonlight — Caleb K. Johnston
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Moonlight Cinematography Analysis | James Laxton – Flickside
Portraits Of Moonlight — Caleb K. Johnston
James Laxton / Moonlight - British Cinematographer
Judy Cohen on Twitter: "Mahershala Ali #BOTD MOONLIGHT – Barry Jenkins, 2016 #cinematography: James Laxton Juan reacts to meeting Paula, Chiron's neglectful mother. https://t.co/V8VSnX1aK4" / Twitter
Moonlight's Cinematographer on Filming the Most Exquisite Movie of the Year | Vogue
Moonlight" Cinematographer James Laxton on Crafting the Film's Look
Oscar Watch: DP Shoots Lush Oscar-Contender Moonlight Wide Screen Anamorphic - The Credits
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Moonlight: Behind the Making of the Oscar-Nominated Movie
Moonlight: Behind the Making of the Oscar-Nominated Movie
James Laxton / Moonlight - British Cinematographer
Moonlight Wins Three Oscars | Vantage Film
James Laxton / Moonlight - British Cinematographer
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Opinion | This Year, #OscarsSoBlack? - The New York Times
Difference Between Anamorphic and Spherical Lenses - 3DArt